Archive for September, 2008

Eat My Words: Mr. Sean Bonner’s Neighborhood

Friday, September 26th, 2008

Having just moved to a new neighborhood, I’ve been frantically trying to nail down my local services—coffeeshop, farmers market, and most importantly, gelateria—by culling recommendations from my neighbors, longtime residents, and my best friend, Internet. But it wasn’t always so easy to find local information online. For that, you’ll want to thank one Sean Bonner, who co-founded the Metblogs family of more than 30 city-specific blogs back in the olden days of 2003. When I recently interviewed him for Good, Bonner put this whole conundrum so, so beautifully:

“People think the great thing about the internet is that you can connect with the world,” says 33-year-old Sean Bonner, one of the founders of Metblogs. “But I want to connect with the guy down the street. I want to know what my neighbor thinks is the best sandwich in town. Or a secret shortcut to get home at night.”

Bonner is a guy who has had an internet presence longer than most web hooligans have been alive (he’s still a web hooligan, though:  case in point). But he’s not stuck behind the computer, he’s actually out there working the neighborhood. He rides that shiny bike up there everywhere and in just the first few days I started following him on Twitter for research, he went to our ‘hood’s infamous gelateria Scoops almost every day. How could I not take his advice? “Neighborhood Watch” is in the September/October issue of Good.

And while I’m talking up Good, I should mention that they not only have a new home on the internet, Good.is, they’ve also moved into shiny new digs over on Melrose (I swung by there on Parking Day). They’ve got tons of stuff planned there for their month-long, end-of-the-year spectacular Good December, so I’ll be sure to keep you posted!

Born in East LA?

Thursday, September 25th, 2008

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As many of you out there are already well aware, my friend Haily and I throw a monthly-ish event here in LA called de LaB, or design east of La Brea (and if you haven’t signed up yet for our emails, please do). We wanted to start something that celebrated all the cool stuff we knew that was happening on this side of town, and to us, “this” side of town could have meant pretty much anything. The only reason we picked the name and any kind of demarcation line at all was because we knew it would piss some people off. And sure enough, right after we sent out the very first email, we were bombarded with queries: Why La Brea? Why not La Cienega? What about Culver City? What do you have against Westsiders?

We smiled and assured them it was nothing personal. Except for all the millions of things we have against Westsiders.

See, the thing about living in a city without a center, its major population nodes sprinkled across this wide hazy basin like In-N-Out locations, is people get awfully territorial about where they think they live, and what that says about them. It’s not so much a conversation about where the east side of LA ends and where the west side of LA begins, it’s more about what it means to be Eastside or Westside (and then of course you give your address and you’re ideologically relocated by an angry mob from Atwater Village). The battle rages across the city every day; in newspapers, on blogs (and on blogs, and on blogs), in bars, outside bars, in hospitals, and eventually in the county lockup.

This is exactly the kind of inspired debate that Mike Kelley, proprietor of Junc Gallery here in Silver Lake, was asking for when he named last weekend’s art show East of Eden at Barnsdall Park. And knowing de LaB’s affinity for all that is “east,” he asked us to participate.

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Our project was simple. We splayed a huge Thomas Guide map of Los Angeles on a table and asked people to draw a line where they thought the “east side of LA” began. And then we ran and hid. We also asked people to place stars near their houses or places of work; their personal center of gravity. Some findings, first from the west, er, left side of the map (you can see all these maps larger here):

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As you can see, there were a few people who live in those unquestionably-west neighborhoods of Santa Monica and Venice, who chose the 405 as the line between east and west (yes, I can hear the sound of Boyle Heights residents screaming from here). They even helpfully added a N/S line over the 10. The blue vertical line to the right is La Brea, added by us for reference, and the curly blue line about mid-map was a disgruntled Santa Monica resident who said “that’s what eastside means to me because that’s how long it took me to get here tonight.” See, what did we say about Westsiders?

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Moving to the east, you can see that someone else decided everything west of Highland was west, while everything east of Western was east, with some kind of demilitarized zone in the middle. Western and Vermont were often used as partial boundaries, with their lines curving down 1st or 3rd Street to include downtown. You might also be able to pick out a kind of aura around the Silver Lake Reservoir drawn by an obviously pretentious Silver Laker who thinks Silver Lake is the center of the universe.
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Moving in closer, it becomes really easy to see that most people chose the LA River, at least through downtown, as their line, but while some agreed taking Broadway north out of downtown would keep you on the W/E line, a “born-and-raised Eastsider” defiantly stopped at Mission Road. He and a few others agreed Washington Boulevard was a good southern boundary, but some included Vernon. Many agreed the east ends at Monterey Park, Alhambra and South Pasadena. Others thought certain places like Dodger Stadium should be considered east, even if the line didn’t include it. And there’s a very interesting line running down Main Street, but we’ll come back to that later.

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Here are some of the most compelling arguments we heard for where the line should be:

• Western Avenue was named as such because it was once the western boundary for the city, and since it gets really confusing to explain that “east of Western” would still be west, it should just remain east.

• La Brea does cut a nice clean line through the middle of the map, and seems to divide the landmasses evenly.

• Bert Green of Bert Green Fine Art made his case with Main Street: Near his gallery downtown, everything on the right of Main Street had addresses beginning in E., and everything to the left was W. The post office wins.

• The river is certainly a nice physical boundary, and one that many seemed to identify with. Especially any of the people who told us they were born, raised or lived on the east side of it were adamant about this point.

• More than one person pointed out that the place we were that very moment (Barnsdall Park) was considered East Hollywood, so how could that possibly be west?

• There was an actual “East Los Angeles” on the map, just above Commerce, which people told us was just an unincorporated part of the city and didn’t actually mean anything. (South Los Angeles, the new name for South Central was on the map, and West Los Angeles was about where we thought it should be, but no sign of NELA, what we supposedly call Northeast Los Angeles now.)

As for our conclusions…well, there are no conclusions for this experiment, just a great night of screaming between friends, marker paths carved in anger and, in the end, an agreement to disagree. And apologies to everyone we’ve offended, but especially to everyone who lives in the Valley, because according to the Thomas Guide map of Los Angeles, you don’t live in Los Angeles at all.

Birds of Hollywood

Monday, September 22nd, 2008

I don’t know about you, but this is what I wake up to every morning. It starts at 7am in a nearby eucalyptus tree, swells to a fever pitch an hour later and then fades to a random chirp by 10am. The same thing happened in a nearby palm tree when I lived in Hollywood. But I never really noticed it until one morning it dawned on me what this natural alarm clock actually was: Parakeets!

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I found out that this chatty flock began as former caged birds who now roam feral with other escapees, hence the gentle pet-store-on-fire soundtrack I’m treated to every morning. From then on I became obsessed with learning my neighborhood birds. I first identified the hummingbirds that would zip around my window and do battle with huge glossy hornets over the bigger flowers in my garden—I’m not kidding, the hummingbirds were surprisingly territorial. And the human-sized wingspan that swooped out of the Hollywood United Methodist Church campanile to surf the updrafts, spiraling skyward until he was out of sight? Red-tailed hawk.

So when I was riding my bike down Fountain the other day, I was so very thrilled to find this mural: Birds of Hollywood.

Beer, wine, fresh meats, produce

The mural is by Elkpen, whose website proves we are indeed kindred spirits:

Living in the city, birds are the wildlife I see most often. When I watch a bird hopping around on the sidewalk, or cocking it’s head from the phone wire I am struck by how personable he, or she, is. I hope that in making pictures about birds the livingness and individuality of birds becomes more apparent.

Did you know

What I love most about this mural is that it’s useful. It’s location-specific, right down to the fact that it offers information about local birds in both Spanish and English.

Hummingbird

Elkpen has also created a smaller exhibition of this project at the Hollywood office of architect Andrea Lenardin Madden, aka the creative force behind nipplelicious Sprinkles Cupcakes.

Fountain Ave Market

All in all, it’s probably one of the most perfect examples of public art I’ve ever laid eyes on. Look for it at the corner of Fountain and Gordon.

Elkpen

Colfax Googie

Wednesday, September 17th, 2008

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East Colfax is a little slice of Southern California in the heart of Denver. Funky signage and 1960’s architecture grace this gently-gentrifying stretch of businesses offering a heady mix of liquor, loans and lounges. While visiting my sister on an early Saturday morning I grabbed my camera and headed down the street under a deep blue Colorado sky. Of course, now I have to go back and shoot all of them again when they’re lit up at night.

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It’s obviously the bet seak in town.

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PS: I love you.

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Rawr!

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This place had not only the most beautiful signage, it had the most beautiful name.

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Yes, it is a drive-thru.

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This place was all lit up and ready to go at 8am.

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Not sure when the sign dates to, but this theater was built in 1913.

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More photos of Colfax’s Googie signage and some awesome handpainted signs.

Christoph Niemann’s Chinese lessons

Monday, September 15th, 2008

Sometime between seeing 2008 drummers pummeling 2008 drums and envisioning 2008 pairs of soiled Depends, I realized that all the apprehension of a “Chinese Olympics” had made me forget that they were taking place in the mythical land of China. Starting with the lineup of inventions during the opening ceremonies—Moveable type! Paper! Computer-generated fireworks!—the Olympics piqued my interest in China’s bold visual culture (although I will not say it piqued my interest in men’s long distance speedwalking). I realized it was my responsibility to learn more about this vibrant, graphic world.

Cue the brilliant illustrator Christoph Niemann. If you’ve been keeping up with Abstract City, his New York Times blog, you know that Niemann must be a pretty fantastic dad. His first column was an amazing illustrated tale about his boys’ obsession with the New York City subway, a love that is so fervent he tiled their bathroom in Berlin with an abstract subway map. Niemann’s first children’s book, The Police Cloud, was based on a bedtime story he used to tell Gustav and Arthur (he’s recently added to his brood with baby Fritz) and is full of his signature, yet never overly-kiddy wit—this is a man who cheekily lambasts current events on New Yorker covers and co-wrote the politically-charged 100% Evil with fellow illustrator Nicholas Blechman.

After a trip to Asia, Niemann became fascinated with Chinese characters. Being the good father and illustrator he is, he translated them into actual “characters” so children who don’t even know English yet can easily learn some basic Chinese with his new book The Pet Dragon. Here’s an example from one of my favorite spreads (prepare yourself for awesomeness):

Right? Couldn’t the English language add just a handful of words that make as much beautiful sense as the “tree, woods, forest” progression? As you read this to your two-year-old, you’ll start to wonder, could I learn the entire Chinese language, this poetic, intelligent language, this way? Would Niemann’s arm fall off in the process of teaching it to me? By the time I got to the spread below I was completely hooked and itching to learn more. I know what all these characters mean now, and that’s at least .00000342% of the Chinese language. Hopefully The Pet Dragon, Volumes 2-199 aren’t far behind.